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Jean Anouilh, one of the foremost French playwrights of the twentieth century, replaced the mundane realist works of the previous era with his innovative dramas, which exploit fantasy, tragic passion, scenic poetry and cosmic leaps in time and space. Antigone, his best-known play, was performed in 1944 in Nazi-controlled Paris and provoked fierce controversy. In his allegorical tale, Antigone defies the tyrant Creon and is sent to her death. Antigone conveyed to Anouilh's compatriots a covert message of heroic resistance to Nazi occupation; but the author's characterisaation of Creon also seemed to exonerate Marshal Petain and his fellow collaborators. More ambivalent than his ancient model, Sophocles, Anouilh uses Greek myth to explore the disturbing moral dilemmas of our times.
Commentary and notes by Ted Freeman.
- Sales Rank: #367201 in Books
- Published on: 2000-12-14
- Released on: 2000-12-14
- Original language: French
- Number of items: 1
- Dimensions: 7.76" h x .38" w x 5.10" l, .27 pounds
- Binding: Paperback
- 75 pages
Review
“Anouilh is a poet, but not of words: he is a poet of words-acted, of scenes-set, of players-performing.” ―Peter Brook, Director
From the Inside Flap
The body of Polynices, Antigone's brother, has been ordered to remain unburied by Creon, the new king of Thebes. Antigone's faithfulness to her dead brother and his proper burial, and her defiance of the dictator Creon, seals her fate. Originally produced in Paris during the Nazi occupation, Anouilh's Antigone was seen by the French as theatre of the resistance and by the Germans as an affirmation of authority.
Includes an interview with translator Christopher Nixon and director Brendon Fox.
Also includes an interview with Ned Chaillet, a playwright, radio producer and director for the BBC. Chaillet is the former Deputy Drama Critic for the Times of London and the London theatre critic for the Wall Street Journal-Europe. He spoke with us about Antigone in the context of World War Two, the differences bewtween the original myth of Sophocles and the Anouilh version, and Anouilh's influence on later playwrights.
An L.A. Theatre Works full-cast performance featuring:
Jordan Bridges as Haemon and Guard
Dominic Fumusa as Guard
Francis Guinan as Creon
John Hansen as Guard and Messenger
Alan Mandell as Chorus
Elizabeth Marvel as Antigone
Alley Mills as Nanny
Mandy Siegfried as Ismene
Directed by Brendon Fox. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.
About the Author
Jean Anouilh (1910-87) is one of France's best-known dramatists. His play, ANTIGONE, was published during the Nazi occcupation of France in 1944 and is his most famous work.
Most helpful customer reviews
0 of 0 people found the following review helpful.
School Book
By Dennis H.
Book that was purchase for my Daughters English class essay. She said that she enjoyed the book very much.
10 of 12 people found the following review helpful.
Antigone
By Tiranendur
Anoulih's version of Antigone was adapted for the time in which he lived. It contains hidden symbols to, at the time, both get the book past the censors and give the french audience moral and courage to stand up to the Nazi's and follow their beliefs. The characters are adapted slightly to fit his version, ie Tieresas is left out and a nurse is introduced. He also had to adapt the personalities of the characters, for instance Antigone develops a whiny habit, and Creon is seen as a "good guy". This was also done in order to get the play by the sensors. It is a well-written play with rounder characters than the original. This version would be better read after reading the original.
2 of 2 people found the following review helpful.
A Most Difficult Play to Act
By LRE
This version of Antigone written under German occupation is most difficult to act. Creon may be played as a reasonable man who has power forced upon him. And Antigone could be played as dangerous fanatic who flouts law that is necessary to preserve order in society on the edge of chaos. It is a masterpiece of abiguity. In certain ways the playwright has been more subtle than Sophocles. The problem that bothers most people who read the play is that the context of Sophocles is not the context of Anouilh. A director who doesn't understand this will try vainly to make Antigone into a Resitance fighter and Creon a a demonic Nazi. Doesn't work that way. This is a must read along side Sophocles.
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